X-Men Days Of Future Past 2014 WEBRIP Xvid AC3 RoSubbed-FWOLF Edge of Tomorrow (2014) WEB-DL XviD AC3-KINGDOM Godzilla 2014 BDRip XviD-EAGLE The Giver (2014) 720p HDRiP 800MB-ShAaNiG Maleficent (2014) 720p BluRay 750MB-ShAaNiG Lucy (2014) CAM V1 NEW AUDIO x264 Pimp4003 The Fault in Our Stars (2014) 720p BRRip x264 AAC-E.Sub [ToM] A Million Ways To Die In The West (2014) BDRip x264 -D0G The November Man (2014) CAM Xvid-FWOLF Brick Mansions 2014 DVDRip x264 AC3-iCMAL  The Expendables 3 2014 1080p HDRIP x264-MRC The Rover 2014 BRRiP x264 AC3-TOXiN How to Train Your Dragon 2 2014 WEBrip Xvid Ac3-MiLLENiUM Need For Speed 2014 BDrip XviD AC3 MiLLENiUM Captain America The Winter Soldier (2014) BDRip-D0G  Night Moves 2013 720p BluRay x264 AAC - Ozlem Dawn of the Planet of the Apes (2014) TS NL subs DutchReleaseTeam The Amazing Spider Man 2 (2014) BDRip 720p Dual Audio Org Team HDDR


Sparkling Host


Exchange Webmoney to Paypal

12 Jan 2017
Author: interestinglike Date: 12-01-2017, 14:15 Category: Music

Paul Butterfield - Live New York 1970 (2015)


Artist: Paul Butterfield
Title: Live New York 1970
Year Of Release: 2015
Label: Rockbeat Records
Genre: Chicago Blues, Blues Rock
Quality: FLAC
MP3
Total Time: 82:26
Total Size: 530 MB
207 MB

Tracklist:
CD 1:
01. Born Under A Bad Sign (Live) (12:10)
02. Pay On (Live) ( 9:30)
03. Driftin' Blues (Live) (14:47)
CD 2:
01. The Boxer (Live) ( 9:55)
02. Everything's Gonna Be Alright (Live) ( 8:05)
03. Stuck In The Countryside ( 6:04)
04. Love March (Live) ( 5:46)
05. Back Together Again (Live) ( 5:31)
06. Stage Announcer (Live) ( 0:15)
07. So Far So Good (Live) (10:14)

This double CD presents an 82 minute set by the Paul Butterfield Blues Band recorded and radio broadcast from A&R Studios in New York City in front of an audience in December 1970. The lineup is Paul Butterfield on vocals and harmonica, David Sanborn on alto sax, Gene Dinwiddie on soprano sax, Trevor Lawrence on baritone sax, Steve Madaio on trumpet, Ralph Wash on guitar, Rod Hicks on bass guitar, and Dennis Whitted on drums. This is mostly the same lineup that recorded the Elektra label live album the previous March at the Troubadour in Los Angeles, with a couple of personnel changes; only Hicks remained from the Detroit crew, with pianist Teddy Harris departing, and drummer George Davidson replaced by Whitted.
There is no doubt that the BBB took a big hit when Mike Bloomfield left, but the group shifted musical direction by adding a horn section. In fact, very few bandleaders could assemble this kind of talent without feeling threatened, but with Paul Butterfield, it was the musical vision that mattered. Though the BBB only lasted about six years, each lineup and new album represented a progression in the blues idiom, synthesizing and rearranging elements of blues, soul, rock, and jazz into something new and exciting. This final powerhouse BBB combo was arguably the best lineup outside of the Bloomfield/Bishop/Lay/Davenport groups. A big part of the problem with the 1969-71 band was that it's studio albums paled before it's dynamic live performances.
While the live Elektra album has better sound and even a bit of an edge in the performances, this recording is absolutely essential. There are very few decent sounding recordings of this band and this set also includes some material not even on the expanded Rhino Handmade and Wounded Bird reissues of the Elektra Live album. First off, the band's cover of Albert King's "Born Under a Bad Sign" fades out after 5 minutes on all the editions of BBB Live, while here it is stretched out to 12 minutes, displaying the band in it's improvisational glory. There is also a performance of the smoking groove on "Countryside", a song recorded live by Butterfield's subsequent band, Better Days, but without horns. There is also a live performance of "Play On", which would appear on the BBB's 1971 Elektra studio LP.
This last mentioned track features an incendiary bass "solo" by Rod Hicks that isn't really a solo, since he was playing what he played through the rest of the track, only with the band sitting out. Hicks was arguably the musical engine of this lineup, his seething, bubbling jazz-inflected playing providing a high-energy underpinning for all the wild blowing by Butter, Wash, and the horn players. Another highlight is band's performance of Hicks's "So Far, So Good" in it's psychedelic live arrangement, featuring raga-influenced rhythms and a Coltrane modal jazz influenced soprano sax solo (by Dinwiddie, I believe), bringing back the musical explorations of East-West. Man, there wasn't anything these guys couldn't play!
The sound is good, with all the instruments and vocals clear and well mixed. ~Stewart Hickey

Paul Butterfield - Live New York 1970 (2015)
Dear visitor, you went to website as unregistered user.
We encourage you to Register or Login to website under your name.



Copyright 2013 - Warez Lover   | Desgined by Death Lover | TOP
[Valid RSS]